/* ===== tokens.css ===== */
/* ==========================================================================
   AVELaunch Books — design tokens
   Source of truth: WEBSITE_DESIGN (Figma), page "Dekstop"
   Handoff document v1.0, 7 September 2026, sections 6 and 7
   No colour value may be written anywhere outside this file.
   ========================================================================== */

:root {
  /* --- 6.2 Primitive palette ------------------------------------------- */
  --rich-black-1:      #0B1424;  /* body text, inverse surfaces, 3px strokes */
  --rich-black-2:      #E8EDF5;
  --rich-black-3:      #C7D2E3;  /* 1px hairline, vertical grid lines       */
  --rich-black-4:      #93A3BD;
  --rich-black-5:      #5D6C86;  /* secondary text                          */
  --rich-black-6:      #08101D;
  --rich-black-7:      #050A14;

  --space-cadet-1:     #1B2A57;
  --space-cadet-2:     #EEF2FA;
  --space-cadet-3:     #CBD6EC;
  --space-cadet-4:     #9BAED3;
  --space-cadet-5:     #657BA8;
  --space-cadet-6:     #142042;
  --space-cadet-7:     #0D162D;

  --vista-blue-1:      #7C9EC7;  /* brand surface                           */
  --vista-blue-2:      #F3F7FC;  /* spelled "Vista Vlue 2" in the file      */
  --vista-blue-3:      #DCE8F5;
  --vista-blue-4:      #B7CBE3;
  --vista-blue-5:      #93B1D3;

  --columbia-blue-1:   #C2E6F9;
  --columbia-blue-2:   #FCFEFF;
  --columbia-blue-3:   #EEF8FD;
  --columbia-blue-4:   #D9EEF9;
  --columbia-blue-5:   #CBE8FA;

  --amber-1:           #F2BB16;
  --amber-2:           #F9E08A;
  --amber-3:           #F7CD52;
  --amber-4:           #E0A800;  /* accent: buttons, underlines, active     */

  --editorial-white-1: #F8F7F4;
  --editorial-white-2: #FFFFFF;
  --editorial-white-3: #FDFBF8;
  --editorial-white-4: #EEEAE3;  /* page background                         */

  /* --- 6.3 Semantic layer ----------------------------------------------
     Reference map from the file. The layout binds to primitives, exactly
     as the Figma layers do, so this layer stays a dictionary of roles.     */
  --surface-page:       var(--editorial-white-4);
  --surface-brand:      var(--vista-blue-1);
  --surface-accent:     var(--amber-4);
  --surface-inverse:    var(--rich-black-1);
  --content-primary:    var(--rich-black-1);
  --content-secondary:  var(--rich-black-5);
  --content-on-inverse: var(--editorial-white-4);
  --content-accent:     var(--amber-4);
  --content-on-accent:  var(--rich-black-1);
  --content-on-brand:   var(--rich-black-1);
  --border-strong:      var(--rich-black-1);   /* 3px */
  --border-hairline:    var(--rich-black-3);   /* 1px */
  --border-accent:      var(--amber-4);        /* 3px */
  --action-fill:        var(--amber-4);
  --action-fill-hover:  rgba(255, 255, 255, 0); /* no fill on hover        */
  --action-border-hover: var(--amber-4);

  /* --- 4.1 Grid ---------------------------------------------------------
     1440 reference · 12 columns · Stretch · margin 50 · gutter 25
     Working area 1340. Column width is derived, never written down.       */
  --layout-reference: 1440px;
  --layout-margin:    50px;
  --layout-gutter:    25px;
  --layout-content:   1340px;
  --layout-floor:     1200px;   /* lower bound of the desktop layout       */

  /* --- 4.1 Vertical lines ----------------------------------------------
     Seven lines, step 180 of 1440 = 12.5 % of the window.
     THIS IS THE ONLY PLACE THE POSITIONS EXIST. Both layers — the page
     layer under the content and the header layer over its blurred
     background — read them from here. Writing them twice is what makes
     the two layers drift apart at the header edge.                        */
  --line-step:  12.5%;
  --line-width: 1px;
  --line-color: var(--rich-black-3);

  /* --- 8 Effects --------------------------------------------------------
     One effect on the whole site: BACKGROUND_BLUR 50 on the header plate. */
  --header-blur: 25px;
  --header-plate: rgb(238 234 227 / 0.75);
  --header-height: 61px;

  /* --- Motion ----------------------------------------------------------- */
  --t-fast: 150ms;
  --t-base: 300ms;
}

/* ===== base.css ===== */
/* ==========================================================================
   AVELaunch Books — fonts, typography scale, grid, vertical lines, layout
   intent tags. Handoff sections 4, 5, 7, 15.
   ========================================================================== */

/* --- 15.1 Fonts. Served from our own domain, never a third party. -------- */
@font-face {
  font-family: "Mulish";
  font-style: normal;
  font-weight: 200 1000;
  font-display: swap;
  src: url("../fonts/mulish-latin-wght-normal.woff2") format("woff2-variations");
  unicode-range: U+0000-00FF, U+0131, U+0152-0153, U+02BB-02BC, U+02C6, U+02DA,
    U+02DC, U+0304, U+0308, U+0329, U+2000-206F, U+20AC, U+2122, U+2191, U+2193,
    U+2212, U+2215, U+FEFF, U+FFFD;
}
@font-face {
  font-family: "Mulish";
  font-style: normal;
  font-weight: 200 1000;
  font-display: swap;
  src: url("../fonts/mulish-latin-ext-wght-normal.woff2") format("woff2-variations");
  unicode-range: U+0100-02BA, U+02BD-02C5, U+02C7-02CC, U+02CE-02D7, U+02DD-02FF,
    U+0304, U+0308, U+0329, U+1D00-1DBF, U+1E00-1E9F, U+1EF2-1EFF, U+2020,
    U+20A0-20AB, U+20AD-20C0, U+2113, U+2C60-2C7F, U+A720-A7FF;
}
@font-face {
  font-family: "Mulish";
  font-style: italic;
  font-weight: 200 1000;
  font-display: swap;
  src: url("../fonts/mulish-latin-wght-italic.woff2") format("woff2-variations");
  unicode-range: U+0000-00FF, U+0131, U+0152-0153, U+02BB-02BC, U+02C6, U+02DA,
    U+02DC, U+0304, U+0308, U+0329, U+2000-206F, U+20AC, U+2122, U+2191, U+2193,
    U+2212, U+2215, U+FEFF, U+FFFD;
}
@font-face {
  font-family: "Comforter";
  font-style: normal;
  font-weight: 400;
  font-display: swap;
  src: url("../fonts/comforter-latin-400-normal.woff2") format("woff2");
}

/* --- Reset -------------------------------------------------------------- */
*, *::before, *::after { box-sizing: border-box; }

html { -webkit-text-size-adjust: 100%; }

body {
  margin: 0;
  min-width: var(--layout-floor);
  background: var(--surface-page);
  color: var(--content-primary);
  font-family: "Mulish", "Helvetica Neue", Arial, sans-serif;
  font-weight: 400;
  font-size: 15px;
  line-height: normal;
  -webkit-font-smoothing: antialiased;
}

img, svg, video { display: block; max-width: 100%; }
img { height: auto; }

a { color: inherit; text-decoration: none; }

button, input, textarea, select {
  font: inherit;
  color: inherit;
  margin: 0;
}

h1, h2, h3, h4, p, figure, blockquote, dl, dd { margin: 0; }
ul, ol { margin: 0; padding: 0; list-style: none; }

/* 9. Keyboard focus is visible on every interactive element: white plate,
   3px accent stroke — the decision taken for the form fields, applied site
   wide because the component sets carry no separate focus variant.        */
:focus-visible {
  outline: 3px solid var(--border-accent);
  outline-offset: 2px;
  background-color: var(--editorial-white-2);
}

/* --- 7.3 Heading trim ---------------------------------------------------
   Headings in the file sit on the cap height, not on the line box. Without
   the trim every heading drops a few pixels and the spacing above it reads
   larger than the macket.                                                  */
.u-trim {
  text-box-trim: trim-both;
  text-box-edge: cap alphabetic;
}

/* --- 7.2 Type styles ----------------------------------------------------
   Letter spacing comes from Figma as a percentage of the type size, so it
   is written in em and never converted to pixels. Line height is Auto in
   every style, which is line-height: normal, not 100 %.                    */
.t-heading-accent       { font-family: "Comforter", cursive; font-weight: 400; font-size: 100px; letter-spacing: 0; text-transform: uppercase; }
.t-heading-accent-small { font-family: "Comforter", cursive; font-weight: 400; font-size: 100px; letter-spacing: 0; }
.t-heading              { font-weight: 1000; font-size: 50px; letter-spacing: 0.1em;  text-transform: uppercase; }
.t-heading-wide         { font-weight: 1000; font-size: 50px; letter-spacing: 0.06em; text-transform: uppercase; }
.t-heading-wide-light   { font-weight: 200;  font-size: 50px; letter-spacing: 0.06em; text-transform: uppercase; }
.t-subheading           { font-weight: 400;  font-size: 25px; letter-spacing: 0;      text-transform: uppercase; }
.t-intro                { font-weight: 400;  font-size: 25px; letter-spacing: 0; }
.t-intro-black          { font-weight: 1000; font-size: 25px; letter-spacing: 0;      text-transform: uppercase; }
.t-intro-black-wide     { font-weight: 1000; font-size: 25px; letter-spacing: 0.1em;  text-transform: uppercase; }
.t-base                 { font-weight: 400;  font-size: 15px; letter-spacing: 0; }
.t-base-black           { font-weight: 1000; font-size: 15px; letter-spacing: 0; }
.t-base-italic          { font-weight: 400;  font-size: 15px; font-style: italic; }
.t-base-down-black      { font-weight: 1000; font-size: 15px; text-transform: lowercase; }
.t-base-up              { font-weight: 400;  font-size: 15px; text-transform: uppercase; }
.t-base-up-black        { font-weight: 1000; font-size: 15px; text-transform: uppercase; }
.t-base-up-black-wide   { font-weight: 1000; font-size: 15px; letter-spacing: 0.1em;  text-transform: uppercase; }
.t-label                { font-weight: 400;  font-size: 25px; letter-spacing: 0.1em;  text-transform: uppercase; }
.t-label-wide           { font-weight: 400;  font-size: 25px; letter-spacing: 0.6em;  text-transform: uppercase; }
.t-label-big            { font-weight: 200;  font-size: 100px; text-transform: uppercase; }
.t-label-big-black      { font-weight: 1000; font-size: 100px; text-transform: uppercase; }

.u-secondary { color: var(--content-secondary); }
.u-accent    { color: var(--content-accent); }

/* --- 4.1 / 4.2 Working area ---------------------------------------------
   Above 1440 the working area holds at 1340 and centres; the margins grow.
   Between 1200 and 1440 the margin stays 50, the gutter stays 25, the
   columns narrow. Type sizes do not change.                               */
.container {
  width: min(var(--layout-content), 100% - var(--layout-margin) * 2);
  margin-inline: auto;
}

/* 12-column helper. The column width is derived from the grid, never set. */
.grid12 {
  display: grid;
  grid-template-columns: repeat(12, 1fr);
  gap: var(--layout-gutter);
}

/* --- 5.1 Intent tags ----------------------------------------------------
   Five values cover all thirty-nine hand-composed blocks. Where Auto Layout
   in the file disagrees with the tag, the tag wins.                        */

/* fluid — lives inside the working area and narrows with it. Default. */
.is-fluid { width: 100%; }

/* flow — a row of equal elements that wraps when it stops fitting.
   The gap equals the gutter. The count per row is not fixed.              */
.is-flow {
  display: flex;
  flex-wrap: wrap;
  gap: var(--layout-gutter);
}
.is-flow > * { flex: 1 1 var(--flow-basis, 430px); min-width: 0; }

/* bleed:both — runs the full window width both sides. Text and cards
   inside stay in the working area.                                        */
.is-bleed-both {
  width: 100vw;
  margin-left: calc(50% - 50vw);
}

/* bleed:left / bleed:right — out past one margin only, never both.
   --bleed-stop is the macket coordinate of the edge that stays put,
   expressed as a share of the working area.

   The box stops growing at the reference frame. It used to run to the window
   edge (`margin-left: calc(50% - 50vw)`), which at 1440 made it exactly the
   macket's 1340 — every share inside is a share of 1340, so the composition
   was right there and only there. At 1920 the same box became 1580 and the
   photograph, the cards and the text stretched with it: the "block drifts
   left" the comments report, eighteen times over. Pinned to the frame, the
   proportions inside are the macket's at any width.

   What is supposed to keep running off the edge is the fill, not the
   composition — an amber slab, a coloured band. That is `.u-bleed-fill-left`
   below, on the fill itself. */
.is-bleed-left {
  width: calc(100% - var(--bleed-stop, 0%)
              + (var(--layout-reference) - var(--layout-content)) / 2);
  margin-left: calc((var(--layout-content) - var(--layout-reference)) / 2);
  margin-right: 0;
}
/* Mirror image: for bleed:right the stop is the LEFT inset, so it stays a
   margin and the width comes off the same side. */
.is-bleed-right {
  width: calc(100% - var(--bleed-stop, 0%)
              + (var(--layout-reference) - var(--layout-content)) / 2);
  margin-right: calc((var(--layout-content) - var(--layout-reference)) / 2);
  margin-left: var(--bleed-stop, 0%);
}

/* The fill carries on to the window edge from wherever it stops. It paints a
   viewport's worth sideways and the page clips it, so no width has to be
   worked out. `background: inherit` so the fill's own colour is the only
   place a colour is written. */
.u-bleed-fill-left::before,
.u-bleed-fill-right::after {
  content: "";
  position: absolute;
  top: 0;
  bottom: 0;
  width: 100vw;
  background: inherit;
}
.u-bleed-fill-left::before  { right: 100%; }
.u-bleed-fill-right::after  { left: 100%; }

/* --- 4.0 The frame ------------------------------------------------------
   Everything positioned from --line-step is positioned inside this box, and
   nothing else is: the macket's 1440 frame, centred, shrinking with the
   window below 1440 and holding still above it. Before this existed, the
   line layer was `inset: 0` on the page, so --line-step read as 12.5 % of
   the WINDOW: at 1440 the lines landed on 180 · 360 · … · 1260 exactly, and
   at 1920 they spread to a 240 step and left the working area behind. Same
   for the header's menu, which took its cells from the same percentage.
   One box, one source, so the page layer and the header layer cannot drift
   apart at any width.                                                      */
.u-frame {
  position: absolute;
  top: 0;
  bottom: 0;
  left: 50%;
  width: min(100%, var(--layout-reference));
  transform: translateX(-50%);
}

/* --- 4.1 Vertical lines -------------------------------------------------
   One component, two placements. Positions are read from --line-step in
   tokens.css and exist nowhere else, so the page layer and the header layer
   cannot drift apart.                                                      */
.gridlines {
  position: absolute;
  top: 0;
  bottom: 0;
  left: 50%;
  width: min(100%, var(--layout-reference));
  transform: translateX(-50%);
  pointer-events: none;
  z-index: 0;
}
.gridlines i {
  position: absolute;
  top: 0;
  bottom: 0;
  width: var(--line-width);
  background: var(--line-color);
  left: calc(var(--n) * var(--line-step));
}

/* The page layer sits under every section, the full height of the document.
   The header is the one exception: it keeps its own sticky positioning and
   rides above, because it draws its own copy of the lines over its plate. */
/* Bleeding blocks are drawn past the window edge on purpose — an amber band
   that runs off the left, a roller whose next card is cut by the right. The
   page clips them at the window. `clip` and not `hidden`: hidden would make
   this a scroll container and the pinned header would stop pinning. */
.page {
  position: relative;
  overflow-x: clip;
}
.page > .gridlines { z-index: 0; }
.page > *:not(.gridlines):not(.site-header):not(.site-up) { position: relative; z-index: 1; }
.page > .site-header { z-index: 2; }

/* Skip link — visible only once it takes focus. */
.skip-link {
  position: absolute;
  left: var(--layout-margin);
  top: 0;
  z-index: 10;
  transform: translateY(-200%);
  padding: 12px 25px;
  background: var(--editorial-white-2);
  color: var(--content-primary);
  font-weight: 1000;
  font-size: 15px;
  text-transform: uppercase;
  transition: transform var(--t-fast);
}
.skip-link:focus-visible { transform: translateY(0); }

/* --- Vertical rhythm between the blocks ---------------------------------
   The file stacks the screen's blocks on a fixed rhythm, and it is defined
   here once rather than inside each section: a section owns its own height,
   never the air around it.

   Read off the Main screen (1:3): the header's box ends at 111 and the first
   block starts at 180; every neighbouring pair of blocks sits 150 apart; the
   footer sits 100 below the last one.

   150 is only the Main screen's number. Services runs 150 · 100 · 0, How It
   Works runs 100 below its halfway point, and the gap under the header is a
   different number on every screen. So the default lives here and a block
   that departs from it writes its own value once, in the markup, as
   `style="--gap: 100px"` on the <section> — the measured Figma number, next
   to the block it belongs to, still not a margin the section sets on itself.

   The FAQ on Main carries `--gap: 0`: its full-width blue fill is meant to
   start exactly where the founder block above it ends.                      */
:root {
  --block-gap: 150px;
  --block-gap-first: 69px;   /* header box 111 → first block 180 */
  --block-gap-footer: 100px;
}

main > section + section  { margin-top: var(--gap, var(--block-gap)); }
main > section:first-child { margin-top: var(--gap, var(--block-gap-first)); }
.page > .site-footer { margin-top: var(--gap-footer, var(--block-gap-footer)); }

/* --- 13.3 Anchors -------------------------------------------------------
   Smooth scroll that accounts for the pinned header, so the target block
   does not hide underneath it.                                            */
html { scroll-behavior: smooth; }
[id] { scroll-margin-top: calc(var(--header-height) + 50px); }

@media (prefers-reduced-motion: reduce) {
  html { scroll-behavior: auto; }
  *, *::before, *::after {
    animation-duration: 0.01ms !important;
    transition-duration: 0.01ms !important;
  }
}

/* --- Below the 1200 floor ------------------------------------------------
   The design stops at 1200: below that there is no narrower composition to
   fall back to, and `min-width` on its own gave a horizontal scrollbar — the
   headline cut off the left edge, half the hero off the right. A window at
   900 is not a phone; it is a laptop or a half-screen window, and a page you
   have to scroll sideways to read is broken in the only sense that matters.

   So the page keeps its 1200 layout and is scaled down to fit the window.
   Everything stays in proportion and simply reads smaller. This is not a
   narrow layout and it is no substitute for one — it is what the site does
   until a narrow composition is drawn.

   The scale itself cannot be written here: `zoom` needs a plain ratio, and
   no CSS expression turns a viewport width into one — dividing 100vw by 1200
   yields a length, which `zoom` rejects. So it is set by the small inline
   script the build puts at the top of every <body>, and `zoom` rather than
   `transform: scale()` because a transform would make the pinned header and
   the scroll-to-top control position against the transformed box instead of
   the window, and both would come unstuck.                                 */

/* An inline link inside body copy. The site has no underlines anywhere, so
   a link in the middle of a sentence has to be told apart some other way:
   it carries the accent colour and a 1px rule that thickens on hover. */
.u-link-inline {
  color: var(--content-accent);
  border-bottom: 1px solid currentColor;
  transition: border-bottom-width var(--t-fast), color var(--t-fast);
}
.u-link-inline:hover,
.u-link-inline:focus-visible {
  border-bottom-width: 3px;
}

/* ===== header.css ===== */
/* ==========================================================================
   Site header — Figma component set 504:2789, instance 20:1973 on Main.
   Load AFTER css/base.css.

   Full window width, 61px tall, pinned to the top of the window. Three
   layers, bottom to top:

     1. the plate  — Editorial White 4 at 75 % over a background blur
                     (Figma "Rectangle 13", 1440 x 61)
     2. the lines  — the page's own .gridlines component, drawn a second
                     time so the seven lines sit OVER the plate
     3. the logo and the menu

   Geometry: the seven lines and the seven menu cells are the same seven
   positions. They are read from --line-step in tokens.css and appear
   nowhere else, so the page's line layer and the header's cannot drift.
   ========================================================================== */

.site-header {
  position: sticky;
  top: 0;
  z-index: 10;
  height: var(--header-height);
  /* Starts one page margin down; the page's own lines show in that strip. */
  margin-top: var(--layout-margin);
}

/* base.css pins every child of .page with `position: relative` at a higher
   weight than a single class, so the sticky behaviour is restated here at
   matching specificity. Width stays `auto` — the header must measure the
   same box as .page, not 100vw, or the scrollbar would offset its lines by
   a few pixels against the page's. */
.page > .site-header {
  position: sticky;
  z-index: 10;
}

/* --- 1. The plate ------------------------------------------------------- */
.site-header__plate {
  position: absolute;
  inset: 0;
  z-index: 0;
  background: var(--header-plate);
  -webkit-backdrop-filter: blur(var(--header-blur));
  backdrop-filter: blur(var(--header-blur));
}

/* --- 2. The lines -------------------------------------------------------
   The only modifier the shared component needs: it is lifted above the
   plate. The page layer keeps z-index 0 and stays under the content, so
   what shows inside the header is this crisp set at full strength, never
   the page's set dimmed and blurred through the translucent plate.       */
.site-header__lines {
  z-index: 1;
}

/* --- 3. Logo ------------------------------------------------------------ */
/* The macket's margin measured from the frame, not from the window: above
   1440 the frame centres, and a logo pinned to the window edge would sit
   240 away from the menu that starts at the frame's first line. */
.site-header__logo {
  position: absolute;
  z-index: 2;
  left: calc(max(0px, (100% - var(--layout-reference)) / 2) + var(--layout-margin));
  top: 50%;
  transform: translateY(-50%);
}

/* 15px tall, the wordmark's own ratio gives the width (107.45 in the
   macket). Fixed to the window margin, not to a share of the width. */
.site-header__logo img {
  width: auto;
  height: 15px;
}

/* --- 3. Menu ------------------------------------------------------------
   Each cell's line is at --n * --line-step; the label sits one gutter to
   the right of it. The cell width (150 in the macket) is never needed —
   the next cell is placed from the next line, not from this one's edge.  */
/* The frame box, not the window: the cells are placed from --line-step and
   the lines they belong to are now anchored to the macket's 1440 frame
   (base.css §4.0). Window-wide, the menu spread with the window and left
   its own lines behind above 1440. */
.site-header__nav {
  position: absolute;
  top: 0;
  bottom: 0;
  left: 50%;
  width: min(100%, var(--layout-reference));
  transform: translateX(-50%);
  z-index: 2;
  /* The nav box covers the whole header, including the logo. It is
     transparent but would still take the clicks, so it is made inert and
     only the menu items themselves are given back to the pointer. */
  pointer-events: none;
}

.site-header__item {
  position: absolute;
  top: 0;
  bottom: 0;
  display: flex;
  align-items: center;
  pointer-events: auto;
  left: calc(var(--n) * var(--line-step) + var(--layout-gutter));
}

.site-header__link {
  white-space: nowrap;
  transition: color var(--t-fast);
}

/* Active page. The five variants in the set carry no other difference at
   this height, so one rule covers Main, Services, Process, Results and
   About. Styled off the attribute so the markup cannot drift from it. */
.site-header__link[aria-current="page"],
.site-header__link:hover,
.site-header__link:focus-visible {
  color: var(--content-accent);
}

/* --- 4. The sub-navigation ----------------------------------------------
   Three of the five header variants in the set are 113 tall instead of 61:
   Services (966:7456), Results (521:2698) and About (521:3038). The extra
   52 is a second row of links that hangs under the item that owns it —
   All services / Discovery Sprint under Services, Author Stories / Free
   Resources under Results, Our Team & Story / FAQ / Contact under About.

   Each sub-item sits on the SAME seven positions as the bar above it, one
   gutter right of its line, and the group's plate covers only its own
   columns. The rest of the row is bare: the page shows through it, with
   the seven lines carried down across the full width (Figma "Group 75").

   The block is a child of the <li> that opens it, so :hover and
   :focus-within on that item are the entire interaction — no script, and
   the pointer can travel down into the row without losing the hover
   because it never leaves the <li>'s subtree.

   It is an OVERLAY, not flow: on Services the hero deliberately starts at
   110 and runs up behind the whole header. A page whose first block is
   meant to start below the open row writes that into its own --gap.     */
/* The row is a frame box, not a window-wide one: every piece inside it —
   plate, rule, line copy, labels — is placed from --line-step, and the line
   copy is now anchored to the macket's 1440 frame (base.css §4.0). If this
   row stayed window-wide the plate would sit at 12.5 % of the window while
   the lines sat on the frame, and above 1440 they would come apart. */
.site-header__sub {
  position: absolute;
  top: 100%;
  left: 50%;
  width: min(100%, var(--layout-reference));
  transform: translateX(-50%);
  height: 52px;
  opacity: 0;
  visibility: hidden;
  transition: opacity var(--t-fast) ease, visibility var(--t-fast);
  /* The nav box above is inert so it cannot swallow clicks meant for the
     page; this row is its own box and takes its own. */
  pointer-events: auto;
}

/* The block is a sibling of the menu, not a child of the item that opens it:
   the item is itself absolutely positioned, so a descendant would be laid
   out against that one narrow cell instead of across the header. :has()
   carries the relationship instead.

   Three states, in this order, and the order is the whole logic:

     1. a page that belongs to a group holds that group's row open;
     2. the moment the pointer or the caret lands on ANY opening item, every
        row closes — otherwise the page's own row and the hovered one draw
        on top of each other in the same 52px strip, which is what the
        header did on all seven section pages;
     3. the row belonging to what is actually being pointed at opens.

   Step 3 also keeps the row open while the pointer is inside it, so
   travelling down from the label into the links does not close it. */

/* 1 — held open by the page, at the top of the page only. js/header.js
   adds .is-scrolled once the page has moved (2026-10-08: a scrolled or
   anchor-linked page had the row lying over its content). */
.site-header[data-subnav="services"]:not(.is-scrolled) .site-header__sub[data-group="services"],
.site-header[data-subnav="results"]:not(.is-scrolled)  .site-header__sub[data-group="results"],
.site-header[data-subnav="about"]:not(.is-scrolled)    .site-header__sub[data-group="about"] {
  opacity: 1;
  visibility: visible;
}

/* 2 — anything being pointed at or tabbed to closes all of them first */
.site-header:has(.site-header__link[data-opens]:hover) .site-header__sub,
.site-header:has(.site-header__link[data-opens]:focus-visible) .site-header__sub,
.site-header:has(.site-header__sub:hover) .site-header__sub,
.site-header:has(.site-header__sub:focus-within) .site-header__sub {
  opacity: 0;
  visibility: hidden;
}

/* 3 — and only the one being pointed at opens */
.site-header:has(.site-header__link[data-opens="services"]:hover) .site-header__sub[data-group="services"],
.site-header:has(.site-header__link[data-opens="services"]:focus-visible) .site-header__sub[data-group="services"],
.site-header:has(.site-header__sub[data-group="services"]:hover) .site-header__sub[data-group="services"],
.site-header:has(.site-header__sub[data-group="services"]:focus-within) .site-header__sub[data-group="services"],
.site-header:has(.site-header__link[data-opens="results"]:hover) .site-header__sub[data-group="results"],
.site-header:has(.site-header__link[data-opens="results"]:focus-visible) .site-header__sub[data-group="results"],
.site-header:has(.site-header__sub[data-group="results"]:hover) .site-header__sub[data-group="results"],
.site-header:has(.site-header__sub[data-group="results"]:focus-within) .site-header__sub[data-group="results"],
.site-header:has(.site-header__link[data-opens="about"]:hover) .site-header__sub[data-group="about"],
.site-header:has(.site-header__link[data-opens="about"]:focus-visible) .site-header__sub[data-group="about"],
.site-header:has(.site-header__sub[data-group="about"]:hover) .site-header__sub[data-group="about"],
.site-header:has(.site-header__sub[data-group="about"]:focus-within) .site-header__sub[data-group="about"] {
  opacity: 1;
  visibility: visible;
}

/* The group's own piece of the plate: from its first line to one past its
   last, so the blur ends on a line and not in the middle of a cell. */
.site-header__sub-plate {
  position: absolute;
  top: 0;
  bottom: 0;
  left: calc(var(--from) * var(--line-step));
  width: calc(var(--span) * var(--line-step) + var(--line-width));
  background: var(--header-plate);
  -webkit-backdrop-filter: blur(var(--header-blur));
  backdrop-filter: blur(var(--header-blur));
}

/* Figma "Line 39": 1px at y 62, i.e. the first pixel of this row, spanning
   exactly the group's columns. */
.site-header__sub-rule {
  position: absolute;
  top: 1px;
  height: var(--line-width);
  left: calc(var(--from) * var(--line-step));
  width: calc(var(--span) * var(--line-step) + var(--line-width));
  background: var(--line-color);
  z-index: 2;
}

/* The lines carry on down through the row — but only inside the group's own
   columns.

   They used to be drawn across all seven. On the page the line layer lies
   UNDER the sections, so a section's own fill hides it; this copy sits above
   the page instead, so every line outside the open panel was painted onto
   whatever content happened to be under the header — four loose verticals
   hanging off the bar to the left of the About panel, with no plate and no
   rule to belong to. Services never showed it because its panel starts at
   the first line and there is nothing to its left.

   The layer stays full width so the `--n` percentages still resolve against
   the same box as everywhere else; the clip is what limits what is painted,
   from the group's first line to the far edge of its last column. */
.site-header__sub-lines {
  z-index: 1;
  clip-path: inset(
    0
    max(0px, calc(100% - (var(--from) + var(--span)) * var(--line-step) - var(--line-width)))
    0
    calc(var(--from) * var(--line-step)));
}

.site-header__submenu {
  position: absolute;
  inset: 0;
  z-index: 3;
}

/* Macket: label baseline at y 76 within the 113 header, i.e. 15 into this
   row; same one-gutter offset from the line as the bar above. */
.site-header__subitem {
  position: absolute;
  top: 15px;
  left: calc(var(--n) * var(--line-step) + var(--layout-gutter));
  pointer-events: auto;
}

/* Sentence case, Base Regular — the one place on the site where a menu
   label is not set in capitals. */
.site-header__sublink {
  white-space: nowrap;
  transition: color var(--t-fast);
}

.site-header__sublink[aria-current="page"],
.site-header__sublink:hover,
.site-header__sublink:focus-visible {
  color: var(--content-accent);
}

/* ===== footer.css ===== */
/* ==========================================================================
   Site footer — Figma symbol 152:1464, instance 966:8527.
   Load AFTER css/base.css.

   Full window width, 415 tall in the macket, Vista Blue 1. The fill is
   opaque, so it covers the page's vertical line layer — the macket shows
   no lines inside the footer.

   Vertical rhythm, read off the macket (footer top = 0):

        50  logo, 15 tall
        83  hairline, full working area
        98  tagline          |  50   Company / Services / Contact headings
       134  social icons     |  98   first link of each column
       184  Barcelona office | 289   last link of the Services column
       339  hairline
       354  legal links and copyright
       415  foot

   The right-hand link block starts level with the logo, so the first
   hairline crosses it. That is why the two halves are one grid with fixed
   rows rather than two stacked blocks: the rules span both columns while
   the link block spans the rows above and below the first of them.
   ========================================================================== */

.site-footer {
  background: var(--vista-blue-1);
  padding-block: var(--layout-margin);
  min-height: 415px;
}

.site-footer__grid {
  display: grid;
  grid-template-columns: minmax(0, 1fr) auto;
  /* logo band · hairline · body · hairline · bottom bar */
  grid-template-rows: 33px var(--line-width) 255px var(--line-width) auto;
}

/* --- Logo --------------------------------------------------------------- */
.site-footer__logo {
  grid-column: 1;
  grid-row: 1;
  justify-self: start;
}

.site-footer__logo img {
  width: auto;
  height: 15px;
}

/* --- Hairlines ---------------------------------------------------------- */
.site-footer__rule {
  grid-column: 1 / -1;
  margin: 0;
  border: 0;
  height: var(--line-width);
  background: var(--rich-black-1);
}
.site-footer__rule--top    { grid-row: 2; }
.site-footer__rule--bottom { grid-row: 4; }

/* --- Left half: tagline, socials, office -------------------------------- */
.site-footer__brand {
  grid-column: 1;
  grid-row: 3;
}

.site-footer__tagline { margin-top: 14px; }

.site-footer__social {
  display: flex;
  align-items: center;
  gap: var(--layout-gutter);
  margin-top: var(--layout-gutter);
}

.site-footer__office {
  display: block;
  font-style: normal;
  margin-top: var(--layout-gutter);
}
.site-footer__office span { display: block; }

/* --- Right half: three link columns -------------------------------------
   Spans from the logo band down past the first hairline, exactly as in the
   macket. 169 wide each, 50 apart — two gutters.                          */
.site-footer__nav {
  grid-column: 2;
  grid-row: 1 / 4;
  align-self: start;
  display: flex;
  gap: calc(var(--layout-gutter) * 2);
}

.site-footer__col {
  display: flex;
  flex-direction: column;
  gap: 30px;
  width: 169px;
}

.site-footer__list {
  display: flex;
  flex-direction: column;
  gap: var(--layout-gutter);
  align-items: start;
}

/* --- Bottom bar --------------------------------------------------------- */
.site-footer__bottom {
  grid-column: 1 / -1;
  grid-row: 5;
  display: flex;
  align-items: flex-start;
  justify-content: space-between;
  gap: var(--layout-gutter);
  margin-top: 14px;
}

.site-footer__legal {
  display: flex;
  flex-wrap: wrap;
  gap: var(--layout-gutter);
}

.site-footer__copy {
  text-align: right;
  white-space: nowrap;
}

/* --- Links -------------------------------------------------------------- */
.site-footer a {
  transition: color var(--t-fast);
}
.site-footer a:hover,
.site-footer a:focus-visible {
  color: var(--content-accent);
}

/* --- The reduced footer — Figma `Footer_min` 917:7587, 1440 x 319 --------
   Used by the two paid-traffic landing pages. Same brand block, same legal
   row, same hairline; the three site-map columns are replaced by "Contact"
   and two ways to reach us, and the second hairline is gone.

   Measured from the symbol: logo 50,50 · rule y 83 · tagline y 98 · social
   y 134 · office y 184 · legal row and copyright y 258. With the 50 page
   padding those become a 33 logo band, the rule, a 160 body and the bottom
   bar — 319 in total.                                                     */
.site-footer--min {
  min-height: 319px;
}

.site-footer--min .site-footer__grid {
  /* logo band · hairline · body · bottom bar */
  grid-template-rows: 33px var(--line-width) 160px auto;
}

/* "Contact" sits on the logo's line, hard right. */
.site-footer--min .site-footer__contact {
  grid-column: 2;
  grid-row: 1;
  justify-self: end;
  align-self: start;
}

/* WhatsApp and the address share the tagline's line, right aligned. */
.site-footer--min .site-footer__reach {
  grid-column: 2;
  grid-row: 3;
  justify-self: end;
  align-self: start;
  display: flex;
  gap: 50px;
  margin-top: 14px;
}

.site-footer--min .site-footer__reach a {
  transition: color var(--t-fast);
}
.site-footer--min .site-footer__reach a:hover,
.site-footer--min .site-footer__reach a:focus-visible {
  color: var(--content-accent);
}

/* The bottom bar moves up one row, since there is no second hairline. */
.site-footer--min .site-footer__bottom {
  grid-row: 4;
}

/* ===== up.css ===== */
/* ==========================================================================
   Scroll-to-top control — `Button_form` 657:4075, macket 50,235 · 61 × 72.
   Load AFTER css/base.css.

   Fixed to the window at the page margin, at the same y the file draws it,
   so it sits in the empty strip left of the first vertical line and clear of
   the header. The label is set on its side reading bottom to top, which is
   what makes the box taller than it is wide.
   ========================================================================== */

.site-up {
  position: fixed;
  left: var(--layout-margin);
  /* The file draws this at y 235 — a static position on a page that does not
     scroll. As a floating control at the same coordinate it sits on top of
     whatever band happens to be passing: the Services list on the homepage
     runs its blue fill from the page margin, and the button covered the first
     row's line. So it keeps the file's x and moves to the foot of the window,
     out of the reading column and where a back-to-top control is looked for. */
  bottom: var(--layout-margin);
  z-index: 11;                      /* over the header's 10 */
  display: inline-flex;
  align-items: center;
  justify-content: center;
  padding: 25px;
  border: 0;
  background: var(--action-fill);
  color: var(--content-on-accent);
  box-shadow: inset 0 0 0 3px var(--action-fill);
  cursor: pointer;
  opacity: 0;
  transition: opacity var(--t-base) ease,
              background-color var(--t-fast) ease,
              box-shadow var(--t-fast) ease;
}

/* `hidden` is removed by the script; `data-shown` is what fades it in, so
   the control is never a dead button and never a flash on load. */
.site-up[data-shown] { opacity: 1; }

.site-up__label {
  writing-mode: vertical-rl;
  transform: rotate(180deg);        /* reads bottom to top, as in the file */
  white-space: nowrap;
}

/* pas → hov on Button_form: the fill empties, the amber stroke stays, and
   the box does not change size because the stroke is drawn inside. */
.site-up:hover,
.site-up:focus-visible {
  background: var(--action-fill-hover);
  box-shadow: inset 0 0 0 3px var(--action-border-hover);
}

/* ===== consent.css ===== */
/* ==========================================================================
   Cookie consent banner — partials/consent.html, behaviour in js/track.js
   Not in the Figma file (added 2026-10-08). Everything here is a token or a
   type style the site already has: page ground, the 3 px Rich Black 1 rule,
   the Amber 4 action and ring, 15 px type, the 25 / 50 spacing steps.

   Desktop: copy left, three buttons right; the settings panel opens below
   across the full working area. Phone: one column, buttons share a row.

   The banner sits outside .page, so base.css's z-index pin (`.page > *` at
   1, specificity 0,4,0) does not reach it and a plain number is enough.
   ========================================================================== */

.consent {
  position: fixed;
  left: 0;
  right: 0;
  bottom: 0;
  z-index: 30;
  max-height: 100vh;
  overflow-y: auto;
  background: var(--surface-page);
  border-top: 3px solid var(--border-strong);
  color: var(--content-primary);
}
.consent[hidden],
.consent [hidden] { display: none !important; }

.consent__inner {
  box-sizing: border-box;
  width: min(100%, var(--layout-reference));
  margin-inline: auto;
  padding: 25px var(--layout-margin);
  display: grid;
  grid-template-columns: 1fr auto;
  align-items: center;
  column-gap: 50px;
  row-gap: 25px;
}

.consent__copy { display: grid; gap: 10px; max-width: 80ch; }
.consent__title,
.consent__text { margin: 0; }
.consent__text { line-height: 1.5; }
.consent__link {
  color: inherit;
  text-decoration: underline;
  text-decoration-color: var(--border-accent);
  text-decoration-thickness: 2px;
  text-underline-offset: 3px;
}

.consent__actions { display: flex; gap: 15px; }

.consent__btn {
  min-width: 150px;
  min-height: 44px;
  padding: 0 25px;
  border: 3px solid var(--border-accent);
  border-radius: 0;
  background: transparent;
  font-family: inherit;
  color: var(--content-on-accent);
  cursor: pointer;
  transition: background-color var(--t-fast);
}
.consent__btn--fill { background: var(--action-fill); }
.consent__btn--fill:hover { background: var(--action-fill-hover); }
.consent__btn--line:hover { background: var(--action-fill); }
.consent__btn--text {
  min-width: 0;
  padding: 0 10px;
  border-color: transparent;
  text-decoration: underline;
  text-decoration-color: var(--border-accent);
  text-decoration-thickness: 2px;
  text-underline-offset: 5px;
}
.consent__btn--text:hover { border-color: var(--border-accent); }
.consent__btn:focus-visible,
.consent__box:focus-visible {
  outline: 3px solid var(--border-strong);
  outline-offset: 3px;
}

/* Settings panel: spans both columns under the copy and the buttons. */
.consent__panel {
  grid-column: 1 / -1;
  display: grid;
  gap: 15px;
  justify-items: start;
  padding-top: 25px;
  border-top: 1px solid var(--border-hairline);
}
.consent__row {
  display: grid;
  grid-template-columns: 22px 1fr;
  gap: 15px;
  align-items: start;
  max-width: 80ch;
  cursor: pointer;
}
.consent__label { display: grid; gap: 5px; line-height: 1.5; }
.consent__box {
  width: 22px;
  height: 22px;
  margin: 0;
  accent-color: var(--amber-4);
  cursor: pointer;
}
.consent__box:disabled { cursor: default; }

/* Phone: one column; the three buttons share the row. */
@media (max-width: 1023.98px) {
  .consent__inner {
    grid-template-columns: 1fr;
    row-gap: 15px;
    padding: 15px 25px calc(15px + env(safe-area-inset-bottom));
  }
  .consent__actions { gap: 10px; }
  .consent__btn { flex: 1; min-width: 0; padding: 0 10px; }
  .consent__btn--text { flex: 0 0 auto; }
  .consent__panel { padding-top: 15px; }
  .consent__panel .consent__btn { width: 100%; }
}

/* ===== results/hero.css ===== */
/* ==========================================================================
   Author Stories — hero.  Intent tag: fluid.
   Figma: "Section 1 [fluid]", node 1244:16435, macket 164..1390 x 237..1059.

   Every offset below is a macket coordinate turned into a share of the
   working area (1340), so the block narrows with the page and holds its
   proportions.  Macket x minus 50 gives the working-area coordinate.

     words     macket 164..821   -> 114..771   of 1340
     picture   macket 723..1390  -> 673..1340  of 1340   (667 wide)
       panel     macket  960..1390 ->  237..667  of the 667
       amber     macket  723..1380 ->    0..657  of the 667
       author    macket  733..1390 ->   10..667  of the 667
   ========================================================================== */

.s-hero .s-hero__inner {
  position: relative;
}

/* --- Picture -------------------------------------------------------------
   667 / 1340 of the working area, on the right margin.  The aspect ratio
   gives the block — and so the section — its height: 822 at the 1440
   reference, proportionally less as the page narrows.                      */
.s-hero .s-hero__art {
  position: relative;
  width: 49.7761%;             /* 667 / 1340 */
  margin-left: auto;
  aspect-ratio: 667 / 822;
}

.s-hero .s-hero__plate,
.s-hero .s-hero__author,
.s-hero .s-hero__silhouette {
  position: absolute;
  top: 0;
  height: 100%;
}

/* The studio panel the author stands against, macket 960..1390. */
.s-hero .s-hero__plate {
  left: 35.5322%;              /* 237 / 667 */
  width: 64.4678%;             /* 430 / 667 */
  object-fit: cover;
}

/* The amber outline is the author's own alpha, painted 10px to her left.
   The file carries the shape only — no colour — and the fill comes from
   the token, so the accent cannot drift from the rest of the page.         */
.s-hero .s-hero__silhouette {
  left: 0;
  width: 98.5007%;             /* 657 / 667 */
  background: var(--amber-4);
  -webkit-mask: url("../assets/results-hero-silhouette.png") no-repeat center / 100% 100%;
  mask: url("../assets/results-hero-silhouette.png") no-repeat center / 100% 100%;
}

/* The cut-out author, macket 733..1390 — real alpha, so the seven vertical
   lines and the page ground read through everywhere she is not.            */
.s-hero .s-hero__author {
  left: 1.4993%;               /* 10 / 667 */
  width: 98.5007%;             /* 657 / 667 */
  object-fit: cover;
}

/* --- Words ---------------------------------------------------------------
   Macket x 164, y 362 — 125 below the top of the block.  The column is 657
   wide; the heading is flush left in it and the lede is flush right.       */
.s-hero .s-hero__words {
  position: absolute;
  z-index: 1;
  left: 8.5075%;               /* 114 / 1340 */
  top: 125px;
  width: 49.0299%;             /* 657 / 1340 */
}

/* "REAL" in Comforter lies over the Mulish heading: cap top at y 362, the
   heading's cap top at 412.  Both are trimmed, so 50 is the exact offset.  */
/* The 50 is padding and not a margin on the Mulish line: a margin there
   collapses through this box and carries the script word down with it. */
.s-hero .s-hero__title {
  position: relative;
  padding-top: 50px;
  font: inherit;
}
.s-hero .s-hero__script {
  position: absolute;
  top: 0;
  left: 0;
  white-space: nowrap;
}
.s-hero .s-hero__head {
  display: block;
}

/* 543 of the 657, right-aligned; the note is 430 of that 543, also right. */
.s-hero .s-hero__lede {
  display: flex;
  flex-direction: column;
  align-items: flex-end;
  gap: var(--layout-gutter);
  width: 82.6484%;             /* 543 / 657 */
  margin-top: var(--layout-gutter);
  margin-left: auto;
}
.s-hero .s-hero__sub {
  width: 100%;
}
.s-hero .s-hero__note {
  width: 79.1897%;             /* 430 / 543 */
}

/* ===== results/filters.css ===== */
/* ==========================================================================
   Author Stories — the filter control.  Intent tag: fluid.
   Figma: "Menu", node 1244:16438, macket 139..1283 x 1134..1253 (119 tall).

   The menu's left edge is the left edge of the card grid, macket 139, i.e.
   89 into the working area — the same inset the grid uses, so the first
   button and the first card sit on one line.
   ========================================================================== */

.s-filters .s-filters__menu {
  /* 89 / 1340.  The grid below carries the same number on both sides. */
  margin-left: 6.6418%;
  display: grid;
  /* The label column is 153 wide in both rows: the two labels differ in
     width (84 and 103) and the file makes up the difference in the gap, so
     the column — not the gap — is the measured value.                      */
  grid-template-columns: 153px 1fr;
  row-gap: var(--layout-gutter);
  align-items: center;
}

/* Each row is 47 tall and the label's cap sits at its centre. */
.s-filters .s-filters__label {
  white-space: nowrap;
}

.s-filters .s-filters__row {
  display: flex;
  flex-wrap: wrap;
  gap: var(--layout-gutter);
}

/* Autors_Filter_Button.  25 of side padding and 15 of top and bottom around
   an 11-tall trimmed cap give the 47 of the macket; the 3px stroke is drawn
   inside, so the box does not grow when the state changes.

   The label carries the type class and the trim rather than the button,
   because only a flex item is a block container of its own text — the same
   reason the cards on the homepage wrap their button labels.              */
.s-filters .s-filters__btn-label {
  white-space: nowrap;
}

.s-filters .s-filters__btn {
  display: inline-flex;
  align-items: center;
  justify-content: center;
  padding: 15px 25px;
  border: 3px solid var(--rich-black-3);
  background: transparent;
  color: var(--rich-black-1);
  white-space: nowrap;
  cursor: pointer;
  transition: border-color var(--t-fast), background-color var(--t-fast),
              color var(--t-fast);
}

/* Variant Hov (769:5312): the hairline stroke becomes the brand blue.
   :focus-visible carries the same state to the keyboard. */
.s-filters .s-filters__btn:hover,
.s-filters .s-filters__btn:focus-visible {
  border-color: var(--vista-blue-1);
}

/* The chosen filter — the Rich Black plate the four frames all show on the
   button that is in force.  Styled off aria-pressed so the markup and the
   picture cannot drift apart.                                             */
.s-filters .s-filters__btn[aria-pressed="true"] {
  border-color: var(--rich-black-1);
  background: var(--rich-black-1);
  color: var(--editorial-white-4);
}

/* The shared focus ring lays a white plate under the focused element; on the
   chosen button that would wipe out the black. Keep the plate, restore the
   fill. */
.s-filters .s-filters__btn[aria-pressed="true"]:focus-visible {
  background: var(--rich-black-1);
}

/* ===== results/stories.css ===== */
/* ==========================================================================
   Author Stories — the filtered index.  Intent tag: fluid.
   Figma: Books 769:5448 / 782:5554 / 782:5606 and Quote 782:5831 / 972:9264.
   Macket 1403 -> 6354 on the unfiltered frame.

   The grid runs macket 139..1301: 1162 wide, centred on the window, which
   inside the 1340 working area is an inset of 89 on each side. Three cards
   of 354 with 50 between them make exactly that 1162.
   ========================================================================== */

.s-stories .s-stories__grid {
  margin-inline: 6.6418%;                     /* 89 / 1340 */
  display: grid;
  grid-template-columns: repeat(3, minmax(0, 1fr));
  /* 50 between the rows of cards; the quote bands add their own 50 top and
     bottom on top of it, which is the 100 the macket shows around them.   */
  gap: 50px;
  align-items: start;
}

/* --- Card, component Book 769:5415 -------------------------------------- */
.s-stories .s-stories__book {
  display: flex;
  flex-direction: column;
  gap: var(--layout-gutter);
}
.s-stories .s-stories__book[hidden] {
  display: none;
}

/* Picture: the 595 x 842 page block of a printed book, 354 x 501 at the
   reference width.                                                         */
.s-stories .s-stories__cover {
  position: relative;
  display: block;
  aspect-ratio: 595 / 842;
}
.s-stories .s-stories__cover img {
  width: 100%;
  height: 100%;
  object-fit: cover;
}

/* Variant Hov (769:5413): a 3px accent stroke inside the edge of the
   picture. Drawn as an outline so it lies over the photograph the way the
   Figma border does, and pulled in by its own width so nothing moves.
   :focus-within brings it to the keyboard on the three cards that link. */
.s-stories .s-stories__book:hover .s-stories__cover,
.s-stories .s-stories__book:focus-within .s-stories__cover {
  outline: 3px solid var(--amber-4);
  outline-offset: -3px;
}

.s-stories .s-stories__info {
  display: flex;
  flex-direction: column;
  gap: var(--layout-gutter);
}
.s-stories .s-stories__title,
.s-stories .s-stories__note {
  color: var(--rich-black-1);
}

/* --- Quote band ----------------------------------------------------------
   A full-row item of the grid that runs the whole window width. The macket
   pads it 100 top and bottom and 164 each side, and the inner measure is
   1112: two columns of 455 with a hairline centred in the 202 between them. */
.s-stories .s-stories__quote {
  grid-column: 1 / -1;
  margin-block: 50px;                         /* 50 + the grid's 50 = 100 */
  padding-block: 100px;
  background: var(--vista-blue-1);
}
.s-stories .s-stories__quote[hidden] {
  display: none;
}

.s-stories .s-stories__quote-inner {
  /* 164 of side air at the reference width, and the measure never grows
     past the 1112 of the macket on a wider window.                        */
  width: min(1112px, 100% - 22.7778vw);       /* 2 x 164 / 1440 */
  margin-inline: auto;
  display: flex;
  flex-direction: column;
  gap: 10px;
}

.s-stories .s-stories__quote-row {
  position: relative;
  display: grid;
  grid-template-columns: repeat(2, minmax(0, 1fr));
  column-gap: 202px;
  min-height: 324px;
}
/* Figma "Line 71": one hairline down the middle of the 202, the full 324 of
   the row.                                                                 */
.s-stories .s-stories__quote-row::before {
  content: "";
  position: absolute;
  left: 50%;
  top: 0;
  bottom: 0;
  width: var(--line-width);
  background: var(--border-hairline);
}

.s-stories .s-stories__quote-row--names {
  min-height: 0;
}
.s-stories .s-stories__quote-row--names::before {
  content: none;
}

.s-stories .s-stories__quote-col {
  display: flex;
  flex-direction: column;
  gap: 50px;
  margin: 0;
}
.s-stories .s-stories__words {
  color: var(--editorial-white-4);
}

/* --- Nothing matched ----------------------------------------------------
   Figma 788:6887 on the wellness / framework & strategy frame: the message
   sits 150 below the menu and leaves 100 above the block that follows, so
   the row keeps the screen's rhythm with no cards in it.                   */
.s-stories .s-stories__empty {
  grid-column: 1 / -1;
  padding-block: 150px 100px;
  color: var(--vista-blue-1);
  text-align: center;
}
.s-stories .s-stories__empty[hidden] {
  display: none;
}

/* The count is announced, not shown — the picture has no counter. */
.s-stories .s-stories__status {
  position: absolute;
  width: 1px;
  height: 1px;
  overflow: hidden;
  clip-path: inset(50%);
  white-space: nowrap;
}

/* ===== results/cta.css ===== */
/* ==========================================================================
   Author Stories — three ways to start.  Intent tag: flow.
   Figma: "CTA", node 782:5787, 1340 x 759 — the whole working area.
   Card component Service_S6_Card, instances 782:5794 / :5795 / :5796.
   Same block as the Main screen's, so the numbers below are the same:
   159 heading + 50 + 550 cards = 759, and no fill — the page ground shows.
   ========================================================================== */

.s-cta .s-cta__inner {
  display: flex;
  flex-direction: column;
  gap: 50px;
}

/* --- Heading ------------------------------------------------------------
   The Comforter word lies over the Mulish heading in one grid cell: the
   heading sits 50 down inside the 85-tall group, the accent starts at 0.  */
.s-cta .s-cta__intro {
  display: flex;
  flex-direction: column;
  align-items: center;
  gap: var(--layout-gutter);
  text-align: center;
}
.s-cta .s-cta__title {
  display: grid;
  width: 100%;
  max-width: 753px;
  font: inherit;
}
.s-cta .s-cta__title > * {
  grid-area: 1 / 1;
  width: 100%;
}
.s-cta .s-cta__title-main {
  margin-top: 50px;
}
.s-cta .s-cta__title-accent {
  color: var(--amber-4);
}
.s-cta .s-cta__subheading {
  width: 100%;
  max-width: 480px;
}

/* --- Cards --------------------------------------------------------------
   430 x 3 + 25 x 2 = 1340: the row is the whole working area, and it wraps
   rather than shrinks once the cards stop fitting.                        */
.s-cta .s-cta__cards {
  --flow-basis: 430px;
}

/* Variant Hov: the text panel swaps Rich Black 3 for Amber 4 and nothing
   else moves. :focus-within carries it to the keyboard, because the card's
   only target is the link inside it.                                      */
.s-cta .s-cta__card {
  position: relative;
  display: flex;
  flex-direction: column;
  height: 550px;
  background: var(--rich-black-3);
  transition: background-color var(--t-base) ease;
}
.s-cta .s-cta__card:hover,
.s-cta .s-cta__card:focus-within {
  background: var(--amber-4);
}

/* The panel ends at 229 of the 550. A floor, not a fixed height: below the
   reference width the title wraps onto more lines and the panel grows into
   the photograph rather than over it.                                     */
.s-cta .s-cta__panel {
  flex: 0 0 auto;
  min-height: 229px;
  display: flex;
  flex-direction: column;
  gap: var(--layout-gutter);
  padding: 50px 25px 25px;
}
.s-cta .s-cta__card-title,
.s-cta .s-cta__card-line {
  color: var(--content-primary);
}

.s-cta .s-cta__photo-wrap {
  flex: 1 1 auto;
  min-height: 0;
  overflow: hidden;
}
.s-cta .s-cta__photo {
  width: 100%;
  height: 100%;
  object-fit: cover;
}

/* The button lies over the photograph, 25 from the bottom and 25 from the
   right; its width is the label plus 25 each side, which is what gives the
   three buttons three different widths in the macket.                     */
.s-cta .s-cta__button {
  position: absolute;
  right: 25px;
  bottom: 25px;
  display: inline-flex;
  align-items: center;
  justify-content: center;
  padding: 25px;
  background: var(--action-fill);
  color: var(--content-on-accent);
  transition: background-color var(--t-fast) ease, box-shadow var(--t-fast) ease;
}
.s-cta .s-cta__button-label {
  white-space: nowrap;
}
.s-cta .s-cta__button:hover {
  background: var(--action-fill-hover);
  box-shadow: inset 0 0 0 3px var(--action-border-hover);
}

/* ===== m-base.css ===== */
/* ==========================================================================
   Mobile foundation — Figma page "Mobile", hand-off document v1.0.
   Load AFTER every desktop stylesheet. See CONTRACT_MOBILE.md.

   The whole file is one media query. Below 1024 this layer overrides the
   desktop layer; at 1024 and up not a single rule here applies, so the
   desktop layout is untouched byte for byte.

   Why an overlay rather than two wrapped halves: the desktop CSS is live and
   already verified. Wrapping it would rewrite every one of its rules to prove
   a layout that is not changing. This way the desktop bytes stay as they are
   and the mobile layer states only its differences.
   ========================================================================== */

@media (max-width: 1023.98px) {

  /* --- 3.1 Grid ---------------------------------------------------------
     402 reference · 6 columns · Stretch · margin 25 · gutter 25
     Working area 352. Column 37.83 is derived and written nowhere.        */
  :root {
    --m-reference: 402px;
    --m-margin:    25px;
    --m-gutter:    25px;
    --m-content:   352px;   /* at the reference width                      */
    --m-max:       430px;   /* the column stops growing here (3.2)         */

    /* 4. Three gaps carry 94 % of 3 010 Auto Layout nodes. */
    --m-gap-tight: 10px;
    --m-gap-mid:   15px;
    --m-gap:       25px;
    --m-gap-block: 50px;
    --m-gap-big:   75px;

    /* 9.1 Header: logo at y 59, rule at y 89. */
    --m-header-h:  89px;

    /* 5.2 Touch targets grow from the centre toward this. */
    --m-tap:       44px;
  }

  /* --- 3.2 Reflow -------------------------------------------------------
     The desktop floor is 1200 and it is what puts a horizontal scrollbar on
     a phone. Below the breakpoint there is no floor: the page is as wide as
     the window and never wider.                                           */
  body {
    min-width: 0;
    overflow-x: clip;
  }

  /* Working area. Below 430 it stretches with the window and the 25 margins
     hold; above 430 it stops at 380 and centres, and the window fills with
     the page ground. Nothing scales — sizes and spacing are the macket's.  */
  .container {
    width: min(100% - var(--m-margin) * 2, calc(var(--m-max) - var(--m-margin) * 2));
    margin-inline: auto;
  }

  /* 6 columns, not 12. A block that asked for the desktop grid gets the
     mobile one without having to know which layer it is in.               */
  .grid12 {
    grid-template-columns: repeat(6, 1fr);
    gap: var(--m-gutter);
  }

  /* --- Intent tags ------------------------------------------------------
     `flow` on mobile is a single column: two 430-basis children side by side
     cannot fit 352. Bleed keeps its meaning — the full window, which above
     430 is wider than the column.                                          */
  .is-flow { display: block; }
  .is-flow > * + * { margin-top: var(--m-gap); }

  .is-bleed-left,
  .is-bleed-right,
  .is-bleed-both,
  .m-bleed {
    width: 100vw;
    margin-left: calc(50% - 50vw);
    margin-right: 0;
  }

  /* --- 3.1 Background lines ---------------------------------------------
     Unlike desktop, where the line layer spans the page, `BackgroundLines`
     on mobile is 352 wide and starts below the header — it lives inside the
     working area. The desktop layer's seven lines at 12.5 % of the window
     are wrong here and are switched off; each screen draws its own set
     inside its own container.                                              */
  .page > .gridlines { display: none; }

  /* --- 5.6 Touch targets ------------------------------------------------
     The area grows from the centre of the element toward 44 on each axis,
     independently, and never moves or resizes what is drawn. Where a
     neighbour is closer than 44, the block sets --tap-h (or --tap-w) to
     twice the half-gap for EVERY item in that row, so the row is even under
     the thumb (5.3).

     ::after and not padding: padding would move the element.               */
  .m-tap { position: relative; }
  .m-tap::after {
    content: "";
    position: absolute;
    left: 50%;
    top: 50%;
    transform: translate(-50%, -50%);
    width:  max(100%, var(--tap-w, var(--m-tap)));
    height: max(100%, var(--tap-h, var(--m-tap)));
  }

  /* An indicator is not a target: carousel dots and arrows show that more
     exists, they do not move anything (5.7).                               */
  .m-indicator { pointer-events: none; }

  /* --- 7 Type -----------------------------------------------------------
     Eleven of the twelve mobile styles are the desktop values unchanged —
     the 15 and 25 sizes are the same file-wide. Only the Comforter accent
     differs, and it differs by half: 50 on mobile against 100 on desktop.
     The styles are named "… Mobile" in Figma for exactly this reason.      */
  .t-heading-accent,
  .t-heading-accent-small { font-size: 50px; }

  /* 7.2 The one style with no desktop counterpart: the numeral on the error
     page. 500 is the size, not a typo.                                     */
  .t-404 {
    font-family: "Comforter", cursive;
    font-weight: 400;
    font-size: 500px;
    letter-spacing: 0.05em;
  }

  /* --- 3.2 Long pages ---------------------------------------------------
     Screens run to 14 382. Smooth anchor scrolling has to clear the pinned
     header or the target lands underneath it.                              */
  :target { scroll-margin-top: calc(var(--m-header-h) + var(--m-gap)); }

}

/* ==========================================================================
   Layer switch. A page carries both sets of blocks; each layer hides the
   other's. The mobile blocks are marked `is-m` by the screen that writes
   them; everything else in <main> is the desktop layer.

   The second query is the only rule in this file that applies at 1024 and up,
   and it can only hide blocks that a desktop-only build never emits — so the
   desktop layer is still untouched.
   ========================================================================== */
@media (max-width: 1023.98px) {
  .page > main > section:not(.is-m) { display: none; }
  .page > main > .is-m + .is-m { margin-top: var(--gap-m, var(--m-gap-big)); }
  .page > main > .is-m:first-child { margin-top: 0; }
}
@media (min-width: 1024px) {
  .page > main > .is-m { display: none; }
}

/* ===== m-header.css ===== */
/* ==========================================================================
   Mobile header and menu — Figma `Menu_mob` 1244:11197.
   Inside the mobile media query; nothing here exists at 1024 and up.
   ========================================================================== */

@media (max-width: 1023.98px) {

  /* The desktop header and its three sub-rows do not appear on a phone: the
     mobile menu is an overlay with its own, flatter list. */
  .page > .site-header { display: none; }

  .m-header[hidden] { display: block; }   /* `hidden` is for the no-CSS case */

  .m-header {
    position: sticky;
    top: 0;
    z-index: 10;
    height: var(--m-header-h);            /* 89 — the rule sits on the edge   */
  }
  .page > .m-header { position: sticky; z-index: 10; }

  /* 8. The one effect in the whole mobile version. */
  .m-header__plate {
    position: absolute;
    inset: 0;
    z-index: 0;
    background: var(--header-plate);
    -webkit-backdrop-filter: blur(var(--header-blur));
    backdrop-filter: blur(var(--header-blur));
  }

  /* Logo at 25,59. Its touch area reaches 44 on the vertical — the room is
     there, and nothing else is near it. */
  .m-header__logo {
    position: absolute;
    z-index: 2;
    left: var(--m-margin);
    top: 59px;
    --tap-w: 107px;
  }
  .m-header__logo img { width: auto; height: 15px; }

  /* The button at 332,49 is 70 × 40 in the file: wide enough across, four
     pixels short down. The area takes the full 44 on both axes; the nearest
     other target is the logo, 200 away. */
  .m-header__toggle {
    position: absolute;
    z-index: 2;
    right: var(--m-margin);
    top: 49px;
    width: 45px;
    height: 40px;
    display: grid;
    place-items: center;
    padding: 0;
    border: 0;
    background: none;
    cursor: pointer;
  }

  /* Three bars drawn in CSS, as the file draws them — not an exported icon. */
  .m-header__bars,
  .m-header__bars::before,
  .m-header__bars::after {
    display: block;
    width: 20px;
    height: 2px;
    background: var(--content-primary);
  }
  .m-header__bars { position: relative; }
  .m-header__bars::before,
  .m-header__bars::after { content: ""; position: absolute; left: 0; }
  .m-header__bars::before { top: -6px; }
  .m-header__bars::after  { top:  6px; }

  /* Line 54 at y 89, 352 wide — inside the working area, not edge to edge. */
  .m-header__rule {
    position: absolute;
    left: 50%;
    transform: translateX(-50%);
    bottom: 0;
    width: min(100% - var(--m-margin) * 2, calc(var(--m-max) - var(--m-margin) * 2));
    margin: 0;
    border: 0;
    border-top: var(--line-width) solid var(--line-color);
  }

  /* --- The overlay ------------------------------------------------------
     402 × 830 in the file, anchored under the header. On a real phone it
     takes the window, because a fixed height would leave the page showing
     under it on a tall screen and cut the buttons off on a short one.     */
  .page > .m-header { position: sticky; z-index: 10; }
  .page > .m-menu   { position: fixed;  z-index: 20; }

  .m-menu {
    position: fixed;
    inset: 0;
    z-index: 20;
    background: var(--surface-page);
    overflow-y: auto;
    overscroll-behavior: contain;
  }
  .m-menu[hidden] { display: none; }

  .m-menu__inner {
    display: flex;
    flex-direction: column;
    min-height: 100%;
    padding-block: 49px var(--m-gap-block);
  }

  /* Close at 332,0 · 45 × 40 with a 20 × 20 glyph, then the rule at y 40. */
  .m-menu__head { position: relative; height: 40px; }

  .m-menu__close {
    position: absolute;
    right: 0;
    top: 0;
    width: 45px;
    height: 40px;
    display: grid;
    place-items: center;
    padding: 0;
    border: 0;
    background: none;
    cursor: pointer;
  }
  .m-menu__close span,
  .m-menu__close span::before,
  .m-menu__close span::after { display: block; }
  .m-menu__close span {
    position: relative;
    width: 20px;
    height: 20px;
  }
  .m-menu__close span::before,
  .m-menu__close span::after {
    content: "";
    position: absolute;
    left: 0;
    top: 9px;
    width: 20px;
    height: 2px;
    background: var(--content-primary);
  }
  .m-menu__close span::before { transform: rotate(45deg); }
  .m-menu__close span::after  { transform: rotate(-45deg); }

  .m-menu__rule,
  .m-menu__list li + li {
    border: 0;
    border-top: var(--line-width) solid var(--line-color);
  }
  .m-menu__rule { position: absolute; bottom: 0; left: 0; right: 0; margin: 0; }

  /* Nine items on a 41 step: the label sits 15 below its own rule, the row is
     26 tall. 41 between centres is under 44, so by 5.2 every area takes half
     the gap on each side — 41 — and by 5.3 every item in the list takes the
     same one, so the first and last are not larger than the rest. */
  .m-menu__list { margin-top: var(--m-gap); }
  .m-menu__list li { padding-bottom: 15px; }
  /* 15 above the label and 15 below gives a 42 step, not the file's 41: in
     Figma the rule is a zero-height line, in CSS it is a real pixel. The
     padding above absorbs it so the step lands on 41 exactly. */
  .m-menu__list li + li { padding-top: 14px; }
  .m-menu__list a { display: block; --tap-h: 41px; }

  /* The two calls to action and the address, at the foot of the overlay.
     `margin-top: auto` pins them down however tall the window is, which is
     what the file's fixed 646 does on a 830 frame. */
  .m-menu__foot {
    margin-top: auto;
    padding-top: var(--m-gap-big);
    display: grid;
    justify-items: center;
    gap: var(--m-gap-mid);
  }

  .m-menu__foot .m-btn {
    display: grid;
    place-items: center;
    width: 253px;
    max-width: 100%;
    height: 41px;
    text-align: center;
  }
  .m-menu__foot .m-btn--fill {
    background: var(--action-fill);
    color: var(--content-on-accent);
  }
  .m-menu__foot .m-btn--line {
    box-shadow: inset 0 0 0 3px var(--border-strong);
    color: var(--content-primary);
  }

  .m-menu__mail { margin-top: calc(var(--m-gap-block) + 6px); }
  .m-menu__mail a { --tap-h: 44px; }

  /* While the overlay is open the page underneath does not scroll. */
  body.is-m-menu-open { overflow: hidden; }

}

/* The mobile chrome exists in the markup at every width; only the media query
   keeps it off the desktop layer. `hidden` is removed by the script as soon
   as it runs, so without this the header renders twice above 1024. */
@media (min-width: 1024px) {
  .m-header, .m-menu, .m-footer { display: none !important; }
}

/* ===== m-footer.css ===== */
/* ==========================================================================
   Mobile footer — Figma `Footer_m` 1774:15900, 402 × 449.
   Inside the mobile media query; nothing here exists at 1024 and up.
   ========================================================================== */

@media (max-width: 1023.98px) {

  .page > .site-footer { display: none; }
  .m-footer[hidden] { display: block; }

  /* The file leaves 75 between the last block and the footer. The desktop
     layer sets its own gap on .site-footer, which is hidden down here, so
     this one has to be stated. */
  .page > .m-footer { margin-top: var(--m-gap-big); }

  .m-footer {
    background: var(--surface-brand);
    color: var(--content-on-brand);
    text-align: center;
  }

  /* The block runs edge to edge; the content keeps the 25 margins. */
  .m-footer__inner { padding-block: var(--m-gap) var(--m-gap-block); }

  .m-footer__logo {
    display: inline-block;
    --tap-h: 44px;
    --tap-w: 107px;
  }
  .m-footer__logo img { width: auto; height: 15px; }

  /* Three groups. The file sets them 10 apart, not 25: `Frame 481` runs
     logo 15 · 10 · group 169 · 10 · group 62 · 10 · group 98 = 374, which
     with the 25 above and 50 below is the footer's 449. The 25 that stood
     here was what made the block 46 too tall on all 37 screens. */
  .m-footer__group { margin-top: var(--m-gap-tight); }
  .m-footer__rule {
    margin: 0 0 var(--m-gap-mid);
    border: 0;
    border-top: var(--line-width) solid var(--content-on-brand);
  }

  /* Two lines, 30 tall in the file: 11 a line on a 19 step. */
  .m-footer__tagline { margin-inline: auto; max-width: 30ch; line-height: 19px; }

  /* Three marks on a 50 step: 50 between centres clears 44, so each area is
     the full 44 × 44 and they still do not touch. */
  .m-footer__social {
    display: flex;
    justify-content: center;
    gap: 25px;
    margin-top: var(--m-gap);
  }
  .m-footer__social a { display: block; }

  /* `text-box-trim` only takes effect on a block box: a bare <span> inside a
     grid is still inline, the trim is ignored, and the line keeps its full
     leading. Every trimmed label here is blockified for that reason — the
     same trap that put 202px of drift into the FAQ.
     Figma writes the three address lines on an 18 step from a 49-tall box. */
  .m-footer__office span { display: block; }
  .m-footer__office {
    display: grid;
    gap: 7px;
    margin-top: var(--m-gap);
    font-style: normal;
  }

  /* 5.3 — one row, one size. The step is 36 in the file, so every link in
     both lists takes a 36 band: the rows stay even under the thumb and no
     two areas meet. This is the floor the contract records at §5.4.        */
  .m-footer__reach,
  .m-footer__legal {
    display: grid;
    gap: 25px;
  }
  /* `block`, not `inline-block`: an inline-block still sits in a line box, so
     the <li> keeps the full leading even after the label itself is trimmed and
     the row measures 19 where the file measures 11. */
  .m-footer__reach a,
  .m-footer__legal a {
    display: block;
    --tap-h: 36px;
  }

  .m-footer__legal a { color: var(--content-on-inverse); }

}

/* ===== m-up.css ===== */
/* ==========================================================================
   Mobile "up" control — Figma `Button_form` 41 × 52, drawn at 25,143 on all
   37 screens. Contract §9.2.
   ========================================================================== */

@media (max-width: 1023.98px) {

  /* The desktop control is 61 × 72 and sits at the desktop margin; the mobile
     one is its own size at its own place, so the shared element is restyled
     rather than duplicated. */
  .site-up { position: relative; }
  .site-up::after {
    content: "";
    position: absolute;
    left: 50%;
    top: 50%;
    transform: translate(-50%, -50%);
    width:  max(100%, var(--tap-w, var(--m-tap)));
    height: max(100%, var(--tap-h, var(--m-tap)));
  }

  .site-up {
    position: fixed;
    left: var(--m-margin);
    bottom: var(--m-margin);
    padding: 0;
    width: 41px;
    height: 52px;

    /* 5.5 — three pixels short across. The room is there: the nearest other
       target is the footer, and on a scrolled page nothing sits beside it. */
    --tap-w: 44px;
    --tap-h: 52px;
  }

  /* The file draws it at y 143, under the header. As a floating control it
     keeps the file's x and moves to the foot of the window, out of the
     reading column — the same decision as on desktop, and for the same
     reason: at 143 it would sit on whatever band is passing under it. */

  .site-up__label { font-size: 15px; }

}

/* ===== results/m1.css ===== */
/* ==========================================================================
   Author Stories mobile — block 1, the hero.
   Figma: `Author Stories/all/all_m` 1244:14747 / "Section 1" 1244:14757,
   352 x 612.8.

     picture   352 x 433.8 — `Group 102` 1244:14758
     head      25 under it — `Frame 236` 1244:14764, 352 x 154
       lockup    "real" in Comforter 50 drawn over "RESULTS FROM REAL
                 AUTHORS" in Mulish 25; the Mulish block hangs 15 below the
                 top of the group and wraps to two lines, so the group is 64
       sub       15 under the lockup, Base Up
       note      15 under the sub, Base

   This file also carries the vocabulary the screen's four blocks share: the
   heading lockup (`Group 89`) and the pale card plate (Rich Black 3). They
   are one component each in the file, so they are written once here rather
   than copied into four stylesheets.

   The whole file is one media query; nothing here exists at 1024 and up.
   ========================================================================== */

@media (max-width: 1023.98px) {

  /* ======================================================================
     Shared (rm- : results mobile; m- is taken by the shared mobile layer)

     The heading lockup — Figma `Group 89`.
     Comforter 50 and Mulish 25 share one cell and the script is drawn over
     the word. The group is as tall as whichever is taller — the script's 38
     cap height on the CTA, the word's two wrapped lines on the hero. The
     word hangs 15 below the top of the group; its inset from the left is 0
     here and 6 on the CTA, which is what the 10 % tracking on the last
     letter takes back there, so it is a variable with a zero default.
     ====================================================================== */
  .rm-lockup { display: grid; gap: var(--m-gap-mid); font: inherit; text-align: center; }
  .rm-lockup__line { display: grid; }
  .rm-lockup__line > * { grid-area: 1 / 1; }
  .rm-lockup__word {
    margin-top: var(--m-gap-mid);
    margin-left: var(--rm-lockup-inset, 0px);
  }
  .rm-lockup__script { color: var(--content-accent); }

  /* ======================================================================
     Shared: the pale plate — Rich Black 3, 25 of padding all round.
     The three start cards on block 4 are this one surface; the file gives
     them a 302 content width inside a 352 box, which is the padding.
     ====================================================================== */
  .rm-plate {
    background: var(--rich-black-3);
    color: var(--content-primary);
    padding: var(--m-gap);
  }

  /* ======================================================================
     Shared: `Button_form`, 61 tall.
     25 of padding + the label's 11 cap height + 25 = 61, so the height comes
     from the label rather than being set here. The width is the label plus
     its padding.
     ====================================================================== */
  .rm-btn {
    display: flex;
    width: max-content;
    max-width: 100%;
    margin-inline: auto;
    align-items: center;
    justify-content: center;
    padding: var(--m-gap);
    border: 0;
    background: var(--action-fill);
    color: var(--content-on-accent);
    text-align: center;
    cursor: pointer;
  }

  /* ======================================================================
     Block 1
     ====================================================================== */

  .s-rm1 { display: flow-root; }

  /* --- 3.1 Background lines --------------------------------------------
     `BackgroundLines` 1244:14748: four lines at 0, 33.33, 66.67 and 100 per
     cent of the working area — Figma x 25 · 142.33 · 259.67 · 377 on the 402
     macket — starting under the header and running the length of the screen.
     The file draws one continuous set, so one layer is drawn here and
     positioned against <main>, which base.css has already made the nearest
     positioned ancestor. z-index -1 keeps it under every plate and word, and
     the cut-out author's alpha lets it read through around her.            */
  .s-rm1__lines {
    position: absolute;
    top: 0;
    bottom: 0;
    left: 0;
    right: 0;
    z-index: -1;
    pointer-events: none;
  }
  .s-rm1__lines > .container { position: relative; height: 100%; }
  .s-rm1__lines i {
    position: absolute;
    top: 0;
    bottom: 0;
    width: var(--line-width);
    background: var(--line-color);
  }
  .s-rm1__lines i:nth-child(1) { left: 0; }
  .s-rm1__lines i:nth-child(2) { left: 33.333%; }
  .s-rm1__lines i:nth-child(3) { left: 66.667%; }
  .s-rm1__lines i:nth-child(4) { right: 0; }

  /* --- The picture ------------------------------------------------------
     `Group 102` is the desktop hero's group at half size and at exactly the
     same proportions — 352 / 433.8 is 667 / 822 to four places — so the three
     layers keep the desktop offsets as shares of the box and the same three
     files serve both layers.

       panel     macket 125.07..352 of the 352   ->  35.5322% / 64.4678%
       amber     macket   0..346.72             ->        0% / 98.5007%
       author    macket 5.28..352               ->  1.4993% / 98.5007%        */
  .s-rm1__art {
    position: relative;
    aspect-ratio: 667 / 822;
  }
  .s-rm1__plate,
  .s-rm1__author,
  .s-rm1__silhouette {
    position: absolute;
    top: 0;
    height: 100%;
  }
  .s-rm1__plate {
    left: 35.5322%;
    width: 64.4678%;
    object-fit: cover;
  }
  /* The amber outline is the author's own alpha, painted to her left. The
     file carries the shape only — no colour — and the fill comes from the
     token, so the accent cannot drift from the rest of the page.           */
  .s-rm1__silhouette {
    left: 0;
    width: 98.5007%;
    background: var(--amber-4);
    -webkit-mask: url("../assets/results-hero-silhouette.png") no-repeat center / 100% 100%;
    mask: url("../assets/results-hero-silhouette.png") no-repeat center / 100% 100%;
  }
  .s-rm1__author {
    left: 1.4993%;
    width: 98.5007%;
    object-fit: cover;
  }

  /* --- The head --------------------------------------------------------- */
  .s-rm1__copy { margin-top: var(--m-gap); text-align: center; }
  .s-rm1__sub  { margin-top: var(--m-gap-mid); }
  .s-rm1__note { margin-top: var(--m-gap-mid); }

}

/* ===== results/m2.css ===== */
/* ==========================================================================
   Author Stories mobile — block 2, the filter control.
   Figma: `Menu` 1244:14772, 352 x 340.

   Unlike desktop, where the label sits in a 153 column beside its row, here
   the label stands above the row and the buttons wrap across the full 352
   and centre. Everything in the block is 25 apart; the buttons inside a row
   are 15 apart, on both axes.

   `Autors_Filter_Button` 1244:11312, Pas: 15 of padding all round — not the
   desktop 15/25 — a 3px stroke drawn inside the box, and an 11-tall trimmed
   cap, which is the 47 the file measures. The stroke is inside, so the box
   does not move when the state changes.
   ========================================================================== */

@media (max-width: 1023.98px) {

  /* The second label carries the 25 from the rule above it; the first is the
     top of the block and takes none. */
  .s-rm2__label + .s-rm2__row { margin-top: var(--m-gap); }
  .s-rm2__rule + .s-rm2__label { margin-top: var(--m-gap); }

  .s-rm2__rule {
    margin: var(--m-gap) 0 0;
    border: 0;
    border-top: var(--line-width) solid var(--rich-black-1);
  }

  .s-rm2__row {
    display: flex;
    flex-wrap: wrap;
    justify-content: center;
    gap: var(--m-gap-mid);
  }

  /* --- 5 Touch -----------------------------------------------------------
     The button is 47 tall and never narrower than 66, so `m-tap` resolves to
     the button's own bounds on both axes and adds nothing. The 15 between
     neighbours therefore survives: no two areas touch, and every item in the
     row carries the same 47 of height, which is §5.3 satisfied by the
     component rather than by an override.                                   */
  .s-rm2__btn {
    display: inline-flex;
    align-items: center;
    justify-content: center;
    padding: var(--m-gap-mid);
    border: 3px solid var(--rich-black-3);
    background: transparent;
    color: var(--rich-black-1);
    cursor: pointer;
  }
  .s-rm2__btn-label { white-space: nowrap; }

  /* The chosen filter — the Rich Black plate the four frames all show on the
     button that is in force. Styled off aria-pressed so the markup and the
     picture cannot drift apart. No hover state: §9 and §15.                 */
  .s-rm2__btn[aria-pressed="true"] {
    border-color: var(--rich-black-1);
    background: var(--rich-black-1);
    color: var(--editorial-white-4);
  }

  /* The shared focus ring lays a white plate under the focused element; on
     the chosen button that would wipe out the black. Keep the plate, restore
     the fill. */
  .s-rm2__btn[aria-pressed="true"]:focus-visible {
    background: var(--rich-black-1);
  }

}

/* ===== results/m3.css ===== */
/* ==========================================================================
   Author Stories mobile — block 3, the filtered index.
   Figma: `Books` 1244:14788 / 1244:14806 / 1244:14822 and `Quote`
   1244:14795 / 1244:14811. Card component `Book` 1244:11317, Pas.

     grid      two columns; the macket puts the cards at x 0 and 188 of the
               352 and makes each 164, which is a 3-column span of the
               6-column grid on either side of one 25 gutter
     rows      25 apart; the row is as tall as its taller card, which is why
               the file's row heights differ from group to group
     card      picture, then 15, then the three lines 15 apart
     picture   the 595 x 842 page block of a printed book
     quote     402 wide — the full window — 25 of padding, 75 clear above and
               below, which is the grid's 25 plus 50 of its own

   Type on the card is not the desktop card's: the author's name is Base
   Black here, sentence case, where desktop runs it uppercase and wide.
   ========================================================================== */

@media (max-width: 1023.98px) {

  .s-rm3__grid {
    display: grid;
    grid-template-columns: repeat(2, minmax(0, 1fr));
    column-gap: var(--m-gutter);
    row-gap: var(--m-gap);
    align-items: start;
  }

  .s-rm3__book { min-width: 0; }
  .s-rm3__book[hidden] { display: none; }

  /* --- 5.7 One link, one area -------------------------------------------
     Three of the thirteen books have a case page. Where they do, the whole
     card is one <a> and `m-tap` resolves to the card's own bounds, which are
     164 x 367 and over — far past 44 on both axes, so nothing grows and the
     25 and 25 between cards survive untouched. The picture and the three
     lines get no area of their own.                                        */
  .s-rm3__card {
    display: flex;
    flex-direction: column;
    gap: var(--m-gap-mid);
  }

  .s-rm3__cover {
    position: relative;
    aspect-ratio: 595 / 842;
  }
  .s-rm3__cover img {
    width: 100%;
    height: 100%;
    object-fit: cover;
  }

  .s-rm3__info {
    display: flex;
    flex-direction: column;
    gap: var(--m-gap-mid);
  }
  .s-rm3__title,
  .s-rm3__note { color: var(--rich-black-1); }

  /* --- The quote band ---------------------------------------------------
     A full-row item of the grid that runs the whole window. 50 of its own
     above and below on top of the grid's 25 makes the 75 the macket shows.
     Inside: 25 of padding, then the mark, the words and the name 50 apart,
     with a hairline 50 under the first block and 50 above the second.      */
  .s-rm3__quote {
    grid-column: 1 / -1;
    margin-block: var(--m-gap-block);
    padding-block: var(--m-gap);
    background: var(--vista-blue-1);
  }
  .s-rm3__quote[hidden] { display: none; }

  .s-rm3__quote > .container {
    display: flex;
    flex-direction: column;
    gap: var(--m-gap-block);
  }

  .s-rm3__quote-col {
    display: flex;
    flex-direction: column;
    gap: var(--m-gap-block);
    margin: 0;
  }

  .s-rm3__quote-rule {
    margin: 0;
    border: 0;
    border-top: var(--line-width) solid var(--border-hairline);
  }

  /* The opening mark is the one text node on this screen bound to no style
     in the file — the twelve mobile styles stop at 50 and the file draws
     this glyph at 75, Mulish Regular, Amber 4. The class carries the family,
     the weight and the colour; the size is the file's measurement and is
     written here, next to the note that says why.                          */
  .s-rm3__mark { font-size: 75px; }

  .s-rm3__words { color: var(--editorial-white-4); }

  /* --- Nothing matched --------------------------------------------------
     Figma 1244:15051 on the wellness / framework & strategy frame: the
     `Books` frame keeps a 150-tall box with the line centred in it, so the
     screen holds its rhythm with no cards in it.                           */
  .s-rm3__empty {
    grid-column: 1 / -1;
    display: grid;
    place-items: center;
    min-height: 150px;
    color: var(--vista-blue-1);
    text-align: center;
  }
  .s-rm3__empty[hidden] { display: none; }

  /* The count is announced, not shown — the macket has no counter. */
  .s-rm3__status {
    position: absolute;
    width: 1px;
    height: 1px;
    overflow: hidden;
    clip-path: inset(50%);
    white-space: nowrap;
  }

}

/* ===== results/m4.css ===== */
/* ==========================================================================
   Author Stories mobile — block 4, three ways to start.
   Figma: `Section 13` 1244:14826, 352 x 763.

     head      `Frame 276` 1244:14827, 352 x 83 — the lockup is 38, the
               script's own cap height, because the Mulish word is one line
               here where the hero's wraps to two; the line sits 15 under it
     cards     `Frame 467` 1244:14832, 15 apart
     card      `Frame 464` / `465` / `466`: Rich Black 3, 25 of padding, and
               a 302 measure inside — 352 less the two 25s, so the measure
               is the padding and is not set again here
     rows      title, line and button 25 apart, all centred

   The button's own 61 comes from `Button_form`: 25 of padding over an
   11-tall trimmed cap. Both sizes are the label's, which is why a two-line
   label simply makes a taller button.
   ========================================================================== */

@media (max-width: 1023.98px) {

  .s-rm4__head { text-align: center; }

  /* The Mulish word is inset 6 from the left of the group, which is what the
     10 % tracking on its last letter takes back. */
  .s-rm4__title { --rm-lockup-inset: 6px; }

  .s-rm4__lede { margin-top: var(--m-gap-mid); }

  .s-rm4__cards {
    display: grid;
    gap: var(--m-gap-mid);
    margin-top: var(--m-gap);
  }

  .s-rm4__card { min-width: 0; }

  .s-rm4__inner {
    display: grid;
    justify-items: center;
    gap: var(--m-gap);
    text-align: center;
    min-width: 0;
  }

  /* --- 5.7 One link, one area -------------------------------------------
     The card is not a link; only the button is, so the area sits on the
     button. It is 61 tall and never narrower than 142, so `m-tap` resolves
     to the button's own bounds and adds nothing — the 15 between cards and
     the 25 above each button survive untouched.                            */
  .s-rm4__card .rm-btn { width: max-content; max-width: 100%; min-width: 0; }

  /* --- 3.2 Reflow -------------------------------------------------------
     The macket is drawn at 402, where the address label is 260 inside a 302
     measure. At 320 the measure is 270 and `growth@avelaunch.co` is one
     unbreakable token, so without a break opportunity the card would push
     past the margin. The address is allowed to break instead: the label
     wraps and the button grows taller, which is what `Button_form` does
     with a two-line label anyway. Nothing is truncated and nothing scales. */
  .s-rm4__card .rm-btn > span {
    min-width: 0;
    overflow-wrap: anywhere;
  }

}